Contándote

con el corazón en la mano

y el cronómetro en el pecho

cuento cuánto tiempo ha pasado

y cuánto tiempo he pasado

contándote

 

contándote en el umbral del sueño

contándote en mis poemas

y en mis laberintos mentales

que ven los números

corriendo

 

detrás tuyo

buscan lo que algún día fuiste

en un puente colgante

entre las hojas de un camino

o lo que algún día serás

en una bestia que vuela

o en una ciudad estrellada

 

pero me estrello

con el reloj que palpita

y sobresale de mi camisa

y me encuentro con el corazón mío

que sangra

muere

pero espera.

 

 

Your Hollow Home

Small tasks

turned fragile,

car seat corroded

my

skin

we stop,

by the streetlight,

whose red beam

burns,

too bright–

burns against

my sodden eyes.

 

The Great Reminder

sleeps within us,

sings to us,

laps around our clothes, sorted

black.

Beyond the silence, it screams

beyond prayers, it curses

words and sorrows,

it curses life.

 

The cold pierces my bones

that rattle

as we walk,

behind you

and your decaying

bones.

 

Freshly cut flowers

sit on wet dirt,

but it is still

cold

it is still

too late

and my skin is tarnished

and my eyes burnt.

 

We stand and pray

while a man, in uniform

thuds a shovel,

against wet dirt.

 

They lower you,

and open the casket

one

last

time.

It is closed now

you’re gone now

and the man strikes the gears

that scream

as you settle into your hollow home.

 

The uniform

man throws dirt over you,

checks his watch,

sweats and thinks

one more body

last one for today.

He shovels,

covers you,

he sweats but doesn’t feel

he doesn’t know

its you inside,

he doesn’t know,

what we know.

 

I look down, at

lumps of dirt

and rocks

inside his shovel.

The rock will hit you

it

will hurt you,

I don’t want it to hurt you

someone tell him

someone,

please

take

it

out.

 

It hits

your hollow home

and I, cry

in silence.

Company

Come sit with me
the ghost of you
with arms of surrounding shadows

keep me company while I’m lonely.

Come dance with me
a solo dancer
whose feet I can’t keep up with

keep me company while I’m lonely.

Come kiss me
a haze a tint a smell of you
frozen lips on a fiery mouth

keep me company while I’m lonely.

If you happen to be busy
you can still sit
and dance
and kiss

(someplace else)

turns out I can be lonely on my own.

Burning Ice

Captura de pantalla 2015-02-15 a las 11.20.16

On a Brilliant Man

And then the sky broke.
It broke, in only two pieces,
cracked open and left the door ajar.
A man walked out, right foot first,
with round blazing fingers,
and a burning heart.

A horizontal smile,
bounced off an ocean line
only a single flower –rose,
and hugged the brilliant man.

On a Gleaming Lady

And then the sky went silent.
It slowed down, with a single note,
built a staircase, and cleaned its floors.
A woman gracefully descended, dipped in silver silk,
with no feet and ten icy eyes.

Her pallid gaze hypnotized,
serene and dark,
only an enamored man –a lunatic,
waited, and watched her from afar.

Driving to Euphoria

1. Begin by deciding where you want to sit.

Swing the door open and thrust your body inside. The seats are made of leather and a gear stick prevents the person beside you, from truly being beside you. This time is appropriate for adjustment of the AC; position the vents in the desired angle, facing you if you’re prone to uncalled heat waves, or facing upward if body temperature appears stable. Radio stations rarely have enjoyable music, I recommend carrying an IPod or a device of the sort, with alternative options in case you are feeling particularly morose or particularly ecstatic. If you want control over the radio and the AC, riding shotgun is of utmost importance; nonetheless, you might have to engage in conversation with the designated driver and at times, one seeks solitude. If this is the case, don’t hesitate and go straight to the backseat, where you will appreciate a certain degree of isolation, especially if you carry earphones around.

2. Observe what happens outside. Usage of all senses is highly endorsed.

Assuming you ride shotgun, drift your sight towards the division of lanes. Watch the metallic nose in front of you swiftly consume each white line on the road –if you stare for too long and your head spins while undigested food floods your throat, stare into the horizon and open a window –just in case.

If you decide to look out through the side, make sure you take everything in, before the car’s acceleration rudely forgets temporary landscapes, and abruptly welcomes a new one. If it happens to be raining, –which is my favorite situation– make sure to drive under a bridge. While the driver approaches said location, contemplate the windshield wiper’s confident assassination of raindrops, and try not to be bothered by the un-wiped semicircle left in some windshields. Right before you drive under the bridge, close your eyes and focus on the sound of each raindrop bouncing off the car roof, it will cease without notice but your eyes should remain closed; relish the silence before its once again interrupted by mischievous raindrops, whose feet are waiting to tap dance on your roof.

3. Improvise. The essence lies on spontaneity, not continuity.

Under no circumstance, shall you feel shackled by the statements above; on the contrary, abiding by these rules would only deprive you of unearthing car rides in all their glory; however, if you are still short of ideas, keep these in mind. Allow yourself to roll the windows down and let the wind hold your arm upright, despite your determination to let it fall back down. Watch the city against a backdrop of dark skies, hold your breath when you drive through a tunnel and count the streetlights that race by. Wait for the moon rabbit to hop into the backseat and fall asleep until you are softly tapped on the shoulder. Revel in the changing night’s grandeur while you play your favorite song and if despite the gear stick, the person beside you is truly beside you, sing along.

Sick and Sane

I tried to slip truth into you
through the language I prefer the most,
the one where I simply place my lips
upon yours.

But the lips were way too busy doing their job.

The next morning I ate a bowl of confusion for breakfast,
the back of the box featured us, holding hands.

I spat all over my mom’s favorite tablecloth.

At 9:30 am I looked at the clock
and each number seemed and sounded and smelled of you.
My nose tickled
my heart put on a new belt and my stomach flew away.

But then we crossed paths.
It turned foggy and the air felt thick.

I ran to the bathroom and threw up two scrambled eggs and a slice of mozzarella cheese.

But despite my sickness,
I’ve got workaholic lips,
a heart that sleeps with its belt on
and a stomach that got his pilot’s license
October 24th.

And despite my utter bliss,
the tablecloth is saliva-stained,
the air near me is never thin,
and four pounds worth of food have been thrown up by me.

Antes de abrir los ojos

Levántate mañana e imagíname a tu lado,
cuando tus ojos estén a punto de abrirse,
imagíname cerrándotelos con mi mano.

Te doy tres besos.
El primero es corto, y te lo regalo en la nariz.
El segundo dura un poquito más,
ese si te lo susurro en los labios y dejo
que hable por si solo.

Y el tercero,
te lo regalo cuando ya estés más despierto,
después de que hayas abierto los ojos
y los hayas vuelto a cerrar.
Este último es el más duradero,
ya no susurra sino grita,
y al gritar te dice lo mucho que te quiero.

Warm Pavement

The city was ready to go to bed. Insect silhouettes approached the luminescence of flickering streetlights. We entered the bakery and paid for two small baguettes, my mother asked me to pick up the brown bag, and I did.

It was getting dark and my skin burned from the cold against my cheeks. Bare feet against the pavement and clothes too thin for the icy wind. I glanced at my younger brother, and I knew his cheeks were also burning, his feet were bare against the pavement and his clothes were too thin for the icy wind. The stoplight turned red, and my working hours were coming to an end.

We got into the car and I placed the warm bag on my lap. As my mother drove, I looked out the window and saw the wind making the tree leaves dance. The night sky made the street seem narrow and cars rushed by, carrying humans who were eager to go home.

We had only collected $2.00 that day. He was going to be mad. My brother always got it worse. I saw cars rushing by, carrying humans too worried about their lives to think about mine. The stoplight turned red once again. I looked at my brother and we both walked towards the line of cars. I looked at one of the drivers –a man of about 50– and distinguished his sad eyes. As predicted, he didn’t roll his window down and instead, turned his head the other way and ignored my dirty and empty hands.

We were closer to home. I continued to feel the warmth of the bread trespass the bag and kept looking out the window, untouched by the cold. The stoplight ahead turned red and all the cars reluctantly stopped. I saw two kids on the street, with bare feet and thin clothes; a girl of about 10 approached my mother’s window, and a younger boy knocked on mine.

I moved past the man with sad eyes and no compassion, and walked over to a car with a woman and a girl inside. My brother had caught up so he knocked on one window, and I approached the driver’s side.

My mom turned her head the other way, so I figured I should do the same; but when I saw his dirty, empty hands cupped on the other side I gave in. I rolled my window down, the freezing wind contrasting the warmth of the bag on my lap. I grabbed it and handed it to the boy.

This time, the driver –a woman of about 45– did not even bother to show me her sad eyes, so I walked away immediately. No time to waste. We needed money. The day was ending and he was going to be mad.

I unbuckled my seatbelt and looked back. The stoplight had turned green, but I had enough time to see the boy showing the girl the bag with bread –I had enough time to see her throw it on the ground. The warmth of the bread had hit the pavement.

My brother approached me, holding a brown bag. He opened it and I took a look inside. No money –useless.

 

When You Share Air With Strangers

Two women sit with flies living in their hair,

Heads are buzzing and my eyes spray repellent.

 

A man walks in from eating brown basketballs,

He hasn’t digested them so they keep bouncing inside him.

 

Another man whispers into a wrinkled newspaper that he is still waiting,

And each bold citizen dances around his words.

The phone rings, he stands up.

The citizens go back to politics and murders.

 

While I was stuck inside the same pink cubicle,

My skin rushed in crimson hues.

Repellent was sprayed,

Basketballs bounced inside a round wall

And a call resulted in citizens’ arrest.

 

Five feeble talkers with five problems squared

Blowing clouds of nonsense into this tariffed air.